Play Along Piano

Uploaders

SDG

Am Abend, da es kühle war. BWV 244, part II, nr. 74 (BWV), nr. 64 (NBA). Johann Sebastian Bach.

SDG

2:00	Est. Play Time
18	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		21	0	8	2	100%
		20	0	8	4	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		21	0	8	2	100%
		20	0	8	4	100%
Altviool		20	0	7	4	100%
Bariton		20	0	7	6	100%
Continuo		9	0	2	4	100%
Contrabass		10	0	2	4	100%

1. Ach bleib bei uns, Herr Jesu Christ, J.S. Bach, BWV 253.

SDG

0:31	Est. Play Time
11	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	3	5	100%
		13	0	2	4	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	3	5	100%
		13	0	2	4	100%
Soprano/Alto		13	0	3	5	100%
Tenor/Bass		13	0	2	4	100%
Contrabass		10	0	2	3	50%

O, the deep, deep love of Jesus. Liefde was het, onuitputt'lijk', Joh. de Heer 548.)

SDG

1:17	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Manual I		9	0	1	5	100%
Manual II		7	0	0	5	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Manual I		9	0	1	5	100%
Manual II		7	0	0	5	100%
Pedal		10	0	1	5	100%
S A		9	0	1	5	94%
T B		12	0	1	5	94%

Weet je dat de Vader je kent? Een parel in Gods hand, Elly en Rikkert. SATB arrangement, Gertim (SDG). Sampleset: Giubiasco.

SDG

0:34	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		9	0	0	5	100%
Recorder		8	0	2	5	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		9	0	0	5	100%
Recorder		8	0	2	5	100%
Soprano/Alto		9	0	0	5	100%
Tenor/Bass		14	0	2	5	100%
Contrabass		6	0	0	5	50%

32. Ich liebe Jesum alle Stund'. (learning)

SDG

0:38	Est. Play Time
11	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		7	0	2	4	100%
Bass		9	0	1	2	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		7	0	2	4	100%
Bass		9	0	1	2	100%
Soprano		9	0	2	5	100%
Tenor		7	0	0	3	100%

Waken! Christian children, Christmas carol.

SDG

0:44	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Manual I		8	0	1	3	100%
Manual II		6	0	0	4	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Manual I		8	0	1	3	100%
Manual II		6	0	0	4	100%
Pedal		12	0	2	5	100%
S A		8	0	1	3	67%
T B		14	0	2	3	67%

32. Befiehl du deine Wege, J.S. Bach, BWV 272.

SDG

0:55	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		16	0	5	5	100%
		16	0	5	5	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		16	0	5	5	100%
		16	0	5	5	100%
		22	0	7	6	100%
		22	0	7	6	100%
Soprano/Alto		16	0	5	5	100%
Tenor/Bass		22	0	7	6	100%
Contrabass		16	0	5	5	50%

292. Wer hat dich so geschlagen, O Welt, ich muss dich lassen, BWV 244.37, J.S. Bach.

SDG

0:38	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	2	5	100%
		13	0	2	5	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	2	5	100%
		13	0	2	5	100%
		18	0	3	5	100%
		18	0	3	5	100%
Soprano/Alto		13	0	2	5	100%
Tenor/Bass		18	0	3	5	100%
Contrabass		15	0	2	5	50%

Precious Lord take my hand

SDG

0:44	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Sopraan/Alt		15	0	3	4	100%
Tenor/Bas		14	0	3	4	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Sopraan/Alt		15	0	3	4	100%
Tenor/Bas		14	0	3	4	100%
Violoncello		9	0	1	4	100%
Contrabass		10	0	2	3	50%
Bass		12	0	2	3	45%

Wilhelmus van Nassouwe. Dutch national anthem. Nederlands volkslied. 2nd oldest national anthem in the world.

SDG

1:04	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		11	0	0	4	100%
		11	0	0	4	100%
View all 20 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		11	0	0	4	100%
		11	0	0	4	100%
		14	0	1	4	100%
		14	0	1	4	100%
Organ		11	0	0	4	100%
		9	0	1	4	50%
		14	0	1	4	100%
C Trumpet		9	0	0	4	100%
English Horn		9	0	0	4	100%
Flute		9	0	0	4	100%
Oboe		9	0	0	4	100%
Soprano/Alto		11	0	0	4	100%
Tenor/Bass		14	0	1	4	100%
Violin		9	0	0	4	100%
Contrabass		9	0	1	4	50%
Viola		7	0	0	4	50%
Violoncello		9	0	1	4	50%
Soprano		2	0	0	1	10%
		2	0	0	1	10%
		2	0	0	1	10%

12. Allein Gott in der Höh' sei Ehr', J.S. Bach, BWV 260.

SDG

0:55	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		1	0	0	1	6%
		14	0	3	5	100%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		1	0	0	1	6%
		14	0	3	5	100%
		1	0	0	1	6%
		14	0	3	5	100%
		1	0	0	1	6%
		16	0	3	4	100%
		16	0	3	4	100%
Soprano/Alto		14	0	3	5	100%
Tenor/Bass		16	0	3	4	100%
Contrabass		14	0	2	2	50%

338. Was Gott thut, das ist wohl gethan. J.S. Bach, BWV 144-3.

SDG

0:51	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	1	4	100%
		12	0	1	4	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	1	4	100%
		12	0	1	4	100%
		14	0	1	4	100%
		14	0	1	4	100%
Soprano/Alto		12	0	1	4	100%
Tenor/Bass		14	0	1	4	100%
Contrabass		9	0	1	3	50%

25. Auf meinen lieben Gott, J.S. Bach, BWV 148.

SDG

0:38	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	2	4	100%
		12	0	2	4	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	2	4	100%
		12	0	2	4	100%
		15	0	3	5	100%
		15	0	3	5	100%
Soprano/Alto		12	0	2	4	100%
Tenor/Bass		15	0	3	5	100%
Contrabass		11	0	2	3	50%

Stabat mater, Zoltan Kodaly

SDG

0:39	Est. Play Time
8	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		5	0	0	3	100%
Bass		10	0	2	3	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		5	0	0	3	100%
Bass		10	0	2	3	100%
Soprano		8	0	1	3	100%
Tenor		6	0	1	3	100%

19. Alles ist an Gottes Segen, J.S. Bach, BWV 263.

SDG

0:41	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	2	5	100%
		13	0	2	5	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	2	5	100%
		13	0	2	5	100%
		19	1	4	6	100%
		19	1	4	6	100%
Soprano/Alto		13	0	2	5	100%
Tenor/Bass		19	1	4	6	100%
Contrabass		15	0	2	3	50%

8. Ach Gott, wie manches Herzeleid, J.S. Bach, BWV 3-6.

SDG

0:25	Est. Play Time
9	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	2	2	100%
		13	0	2	2	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	2	2	100%
		13	0	2	2	100%
		18	0	3	2	100%
		18	0	3	2	100%
Soprano/Alto		13	0	2	2	100%
Tenor/Bass		18	0	3	2	100%
Contrabass		11	0	2	2	50%

Jesus, the very thought of Thee. Tune: ST. AGNES (Dykes), or sung on 'calm on the listening ear of night' (Christmas hymn)

SDG

0:34	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		10	0	1	3	100%
		10	0	1	3	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		10	0	1	3	100%
		10	0	1	3	100%
		12	0	1	3	100%
		12	0	1	3	100%
Soprano		7	0	0	3	100%
Soprano/Alto1		10	0	1	3	100%
Tenor/Bass1		12	0	1	3	100%
Bass		9	0	0	3	50%

Vader maak ons één. Father make us one. Arrangement: Gertim

SDG

0:42	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		15	0	3	3	100%
Soprano/Alto		12	0	1	5	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		15	0	3	3	100%
Soprano/Alto		12	0	1	5	100%
Tenor/Bass		15	0	2	6	100%
Violoncello		15	0	3	3	50%

361. Bin ich gleich von dir gewichen, Werde munter, mein Gemüthe, J.S. Bach, BWV 244-40.

SDG

0:52	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	3	5	100%
		12	0	3	5	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	3	5	100%
		12	0	3	5	100%
		20	0	3	3	100%
		20	0	3	3	100%
Soprano/Alto		12	0	3	5	100%
Tenor/Bass		20	0	3	3	100%
Contrabass		15	0	2	3	54%

4. Soll's ja so sein, dass Straf' und Pein, (Ach Gott und Herr), J.S. Bach, BWV 48-3. Cantate 'Ich elender Mensch, wer wird mich erlösen?'

SDG

0:31	Est. Play Time
11	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	4	6	100%
		24	0	7	6	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	4	6	100%
		24	0	7	6	100%
Soprano/Alto		13	0	4	6	100%
Tenor/Bass		24	0	7	6	100%
Contrabass		17	0	6	4	50%

History
Account

My Stats

Completed	Attempts	Play Time	Notes Played
Loading

History

Play Time	Progress	Notes Played	Accuracy	BPM
Loading

User Name

Advanced Search

Loading

Keyboard Size Limit

Show all Scores (Default)

88

76

61

Custom

Transposed Scores

Show all Scores (Default)

Hide Transposed Scores

Octave Clefs

Show all Scores (Default)

Hide Octave Clefs